Hero Tales: Vol. 2, story by Jin Zhou Huang and Hiromu Arakawa

Fans of Hiromu Arakawa's previous work (which includes the enormously popular Fullmetal Alchemist) will enjoy Hero Tales. It's classic shonen manga: short on character development and coherency, but long on fight scenes and jokes. I wouldn't suggest thinking about it too hard, but if you're in the market for some Saturday-morning-cartoon-style action you've come to the right place.
Nabari No Ou: Vol. 3, by Yuhki Kamatani

If Hero Tales is the quintessential boys' manga, Nabari No Ou is designed for the same audience when they're five years older. It has just as many fight scenes, but the plot, relationships, and artwork are more complex, and the book's ninja politics add a touch of sophistication to what would otherwise be a straight fighting manga. I wish the main character was more appealing (Miharu's snide one-liners can be mildly funny, but mostly he just seems like a total snot), but I suppose some readers might take that chilly sarcasm for effortless cool.
Sumomomo Momomo: The Strongest Bride on Earth: Vol. 3, by Shinobu Ohtaka

During my many years as a manga reader, I've seen a lot of implausible fighting costumes, but the magical bikini featured in this volume of Sumomomo Momomo takes the cake. It's leather. And tiny. And it only covers the top half (maybe only the top third) of the girl's chest. And then it gets even smaller—halfway through the fight she unzips it, and it transforms into a pair of carefully-positioned leather straps.
I mention this because I want to remind readers that this is a seinen (older teen male) manga, not a shoujo. It might sound like it has a lot in common with the hugely popular Fruits Basket series (the Zodiac stuff, the impossibly sunny heroine, the unlikely couple, etc.), but readers should take both the seinen designation and Yen's “Older Teen” warning seriously.
Bunny Drop Vol. 1, by Yumi Unita

This was definitely my favorite title of the eight I reviewed today. Bunny Drop has a lot in common with Kiyohiko Azuma's Yotsuba&!, although it has a quieter, more serious vibe. I loved the way so much of the plot was devoted to the ordinary concerns of single parenthood—balancing work and family, finding a suitable daycare, dealing with childhood anxieties. It's a subject that doesn't get sufficient print, despite its rich potential for both drama and humor, so I'll be eagerly awaiting the next volume.
Reviews based on publisher-provided copies.
Labels: Book Reviews, manga, manhwa, Yen Press
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