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Godmother is long on style, but short on sympathetic characters. Liv seems to find being an old woman a fate worse than death*, and Veronica’s quirkiness wears thin. The story is beautifully written, and Turgeon describes her New York settings with a lush, lyrical pen, making an East Village fabric shop seem just as magical as anything in the original Cinderella story. Unfortunately, these strengths aren’t quite enough to overcome the novel’s increasingly depressing twists and turns, which culminate in an ending scene that aims for shocking, but instead just comes as a relief.
*Perfectly in keeping with her character, but (speaking as a young woman who has high hopes of one day becoming a very, very old woman) I found it an unappealing trait.
Labels: Book Reviews, Fairytales
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